A [eɪ]
A [eɪ]
B [bi]
B [bi]
C [si]
C [si]
D [di]
D [di]
E [iː]
E [iː]
F [ɛf]
F [ɛf]
G [dʒi]
G [dʒi]
H [eɪtʃ]
H [eɪtʃ]
I [aɪ]
I [aɪ]
J [dʒeɪ]
J [dʒeɪ]
K [keɪ]
K [keɪ]
L [ɛl]
L [ɛl]
M [ɛm]
M [ɛm]
N [ɛn]
N [ɛn]
O [oʊ]
O [oʊ]
P [pi]
P [pi]
Q [kju]
Q [kju]
R [äɹ]
R [äɹ]
S [ɛs]
S [ɛs]
T [ti]
T [ti]
U [ju]
U [ju]
V [vi]
V [vi]
W [dʌ bəl ju]
W [dʌ bəl ju]
X [ɛks]
X [ɛks]
Y [waɪ]
Y [waɪ]
Z [zɛd]
Z [zɛd]
Z [zi]
Z [zi]
0 [zi ɹoʊ]
0 [zi ɹoʊ]
1 [wʌn]
1 [wʌn]
2 [tu]
2 [tu]
3 [θɹi]
3 [θɹi]
4 [fɔɹ]
4 [fɔɹ]
5 [faɪv]
5 [faɪv]
6 [sɪks]
6 [sɪks]
7 [sɛv ən]
7 [sɛv ən]
8 [eɪt]
8 [eɪt]
9 [naɪn]
9 [naɪn]
all of 'em
all of 'em
The 36 Days of Type project is an annual open call to designers to craft a typeface for the Latin alphabet, often around a specific concept. For 2021, I joined in with a typeface based on my own idiolect, or individual accent. Each letter and number in the set is composed of the International Phonetic Alphabet symbols used to signify how I personally pronounce the name of the character. This concept made for a unique challenge, with letters of note being Z (as I pronounce it in two different ways, [zɛd] and [zi]) and W (whose length prompted a unique composition).
A [eɪ], B [bi], C [si], D [di]
A [eɪ], B [bi], C [si], D [di]
D [di], E [iː]
D [di], E [iː]
E [iː], A [eɪ], K [keɪ]
E [iː], A [eɪ], K [keɪ]
F [ɛf], G [dʒi], H [eɪtʃ]
F [ɛf], G [dʒi], H [eɪtʃ]
I [aɪ], J [dʒeɪ]
I [aɪ], J [dʒeɪ]
L [ɛl], M [ɛm], N [ɛn]
L [ɛl], M [ɛm], N [ɛn]
O [oʊ], P [pi], Q [kju]
O [oʊ], P [pi], Q [kju]
R [äɹ]
R [äɹ]
E [iː], S [ɛs], T [ti], U [ju]
E [iː], S [ɛs], T [ti], U [ju]
U [ju], V [vi], W [dʌ bəl ju]
U [ju], V [vi], W [dʌ bəl ju]
X [ɛks], Y [waɪ], Z [zi] [zɛd]
X [ɛks], Y [waɪ], Z [zi] [zɛd]
1 [wʌn], 2 [tu], 5 [faɪv], 6 [sɪks], 7 [sɛv ən], 8 [eɪt],  9 [naɪn]
1 [wʌn], 2 [tu], 5 [faɪv], 6 [sɪks], 7 [sɛv ən], 8 [eɪt], 9 [naɪn]
8 [eɪt]
8 [eɪt]
0 [zi˞ ɹoʊ] / [zi ɹoʊ]
0 [zi˞ ɹoʊ] / [zi ɹoʊ]
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